Then, fa, sol and la would be repeated to also stand for their modern counterparts, resulting in the scale being "fa, sol, la, fa, sol, la, mi, fa". The use of "fa", "sol" and "la" for two positions in the scale is a leftover from the Guidonian system of so-called "mutations" (i.e. changes of hexachord on a note, see Guidonian hand).. The seven syllables normally used for this practice in English-speaking countries are: do, re, mi, fa, sol, la, and ti (with sharpened notes of di, ri, fi, si, li and flattened notes of te, le, se, me, ra). The system for other Western countries is similar, though si is often used as the final syllable rather than ti.

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What the Do Re Mi Fa So La Ti Scale Teaches. The do re mi fa so la ti musical scale teaches the difference between note intervals and how to recognize them. Once you have learned how this looks on paper and what each note sounds like, the do re mi fa so la ti musical scale is an ideal perfect guide to working out any other pieces of music.. Also interesting, the do re mi syllables come from a song in latin. Each phrase starts on a different tone, starting with the tonic for the first phrase, and one step up for every phrase. The first syllables of every phrases give: ut re mi fa so la si ut. I do not know when, where, and why ut got changed to do.